The "Da Capo Project" employs a program that simulates an endlessly looping white spherical object within a virtual space. The trajectory of this spherical object changes in response to external sounds. The camera, representing the observer's perspective, moves forward at a constant speed, never stopping or retreating. The artist combines non-human abstract imagery with narrative recordings to recreate the processes of growth and decay in life and objects.

   The "Da Capo Project" consistently incorporates sounds from public transportation, such as subways, buses, or ferries. The title of each piece is the sequence number of the background sounds from public transportation. Public transportation inherently possesses predetermined destinations and unalterable routes, returning to their starting points after reaching their destinations. This Sisyphean, unidirectional repetition symbolizes the irreversible nature of life.